The image exists on the screen only, if it is a thought. An idea that is made concrete. But having an idea in cinema appears first of all as an act of resistance against the very possibilities of cinema. Too soon or too late it may become clear that this is exactly what cinema is about: to make an alignment or to unalign; in any case one has to take a position, since it always matters where the camera is; to frame an image without making a frame around it, and to glue these images together. The purpose of the frame is to transport time. To carry it across a specificity of places, in order to understand what is missing. One is expecting it, it comes and it does not come, it is always brought forward and delayed.